+44 20 8445 2446
Delivering a smooth uniform frequency response from 20 Hz - 20 kHz, the CX-112 is equipped with switches for 10 dB pad and a bass roll-off. With 10 dB pad engaged, the CX-112 is capable of sound pressure levels of 145 dB, allowing the microphone to be used successfully on everything from subtle acoustic instruments in a studio to screaming guitar cabs on a concert stage.
At a glance
- One inch gold-sputtered diaphragm
- Low noise electronics
- 10 dB pad and bass roll-off
- Rich warm tones - ideal for digital recording
- High power handling of 145 dB SPL
- Adjustable metal clip allows for secure positioning
- Excellent for vocals, piano, overheads, guitar cabs, percussion, and acoustic instruments
Delivering a smooth uniform frequency response from 20 Hz - 20 kHz, the CX-112 is equipped with switches for 10 dB pad and a bass roll-off. With 10 dB pad engaged, the CX-112 is capable of sound pressure levels of 145 dB, allowing the microphone to be used successfully on everything from subtle acoustic instruments in a studio to screaming guitar cabs on a concert stage.
The CX-112, which is designed with a discreet low noise preamp circuitry, operates on phantom power of 48-52 volts. Optimum results will be achieved by using the CX-112 with a high quality mic preamplifier and premium quality microphone cable.Delivering a smooth uniform frequency response from 20 Hz - 20 kHz, the CX-112 is equipped with switches for 10 dB pad and a bass roll-off. With 10 dB pad engaged, the CX-112 is capable of sound pressure levels of 145 dB, allowing the microphone to be used successfully on everything from subtle acoustic instruments in a studio to screaming guitar cabs on a concert stage.
Applications- Studio vocals, lead and backing
- Voice over
- Choir
- Ambient room mic
- Drum overheads
- Orchestra
- Bells, chimes, marimba, vibes
- Acoustic instruments (piano, sax, strings, guitar, flute)
- Electric guitar cabs
