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Re-amping has been the 'secret weapon' for countless recordings by the biggest names in the business and the process is often used on guitars, bass, keyboards, percussion and even voice to create new textures! Plug and play easy to use, the Radial ProRMP connects from the recorder to your amp and effects units and does all the impedance matching for you. Just adjust the level to suit!
The magic behind the Radial Pro RMP great tone is a custom wound transformer that at once converts the balanced low-z source to a hi-z input for your amp while also acting as an electrical isolator to eliminate troublesome ground loops that can often cause buzz and hum in the sound.
The main features of the Radial Pro RMP include:
•Play pre-recorded tracks through amps and pedals
•Opens the door to creative new tones and textures
•Eliminates repetitive playing during recording
•On board level control for fine tuning the gain
•Transformer isolated to eliminate buzz and hum
|Short Description||Passive Re-Amping Box.|
|Demo in Store||N/A|
- Great box, Every studio Needs one! Review by Sam (Posted on 16/10/2012)
I bought a Radial Engineering ProRMP re-amping box with the intentions of using it not only for running out of my DAW into guitar amps but also processing directly into high impedance effects pedals. It is a very simple unit that is very well built, It’s 14 gauge steel chassis and shell is nice and heavy so it feels like you'd have trouble breaking it.
Features include a +4dbu Line level input via an XLR socket and a high impedance output courtesy of a 1/4" Jack socket, an output trim pot and finally a very useful ground lift to combat those pesky ground loops should they occur.
In use this thing couldn’t be simpler all you need to is plug your line level source in the in XLR socket and connect the jack output directly to your amp or pedal chain adjust the output and your ready to go.
The passive transformer isolated circuit design makes this a very quiet unit to use, I had nice clean results on guitar and made my life much easier with the ability to pre-record my guitar takes with a DI box and dial in amp tones to my hearts desire later on without having to play at the same time.
My conclusion is this is a brilliant piece of kit for the price but the only thing I would have said I would like to see was a mute switch to cut the output without having to turn the pot all the way down and then find the same level as before. Every studio should have one.
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